The Portrait was Always on the Wall
What a novel by a former probate judge brought to light about the recognition we never deliver.
Allen Levi practiced law in Georgia for about a dozen years, later served as a probate judge, and wrote his first novel in his sixties. Theo of Golden was self-published in 2023 and became a #1 New York Times bestseller almost entirely by word of mouth.
The premise: a stranger named Theo arrives in a small Southern city just before Easter. At the local coffeehouse, called the Chalice (your first hint that Levi isn't being subtle), ninety-two pencil portraits of residents hang on the walls. Theo begins buying them, one at a time, and returning each portrait to the person in it. In exchange, he asks only for that person's story.
It isn't a business book. It isn't trying to teach you anything at all, which is exactly why its lessons travel so well. What Levi observes about noticing people applies to how a firm treats its staff, and it applies just as directly to a marriage, a friendship, a church pew, or a Tuesday afternoon with your kids. I found I couldn't keep it in the professional compartment, so I've stopped trying.
Three things in it have stayed with me.
The portraits were already on the wall
This is the detail that should stop you. The portraits existed the entire time. They hung in a public place. The subjects walked past them. Nobody had ever handed one to the person it depicted.
I see this in nearly every firm I work with. Partners describe an associate or a paralegal or a billing coordinator to me at length, with real warmth, in a conference room the employee isn't sitting in. The recognition is on the wall. It has never been placed in the person's hands.
It isn't only a firm problem. I have a list, and you probably do too, of people I've thought generous things about and never told. We assume, wrongly, that people can feel it. They can't. The exit interview says I never knew if anyone noticed. The funeral says I wish I'd told him. Same failure, opposite ends of it, and both are too late.
He refused to make it efficient
There's a moment where a practical-minded character suggests Theo hand out all the portraits at once, at a single event. More efficient. Better optics. Get it done.
He refuses. Each one goes to that person, in person, individually.
I think about that scene every time a firm asks whether reviews can be a group meeting, or fourteen in an afternoon, or an email from the practice group leader. The efficiency instinct isn't a character flaw. It's how lawyers are trained. But presence doesn't survive batching. A forty-minute individual conversation and a four-minute announcement convey completely different information about what someone is worth, regardless of the words used in either. The time is the message.
There's an older version of this idea. The incarnation is, among other things, an argument against remote delivery: God did not send a memo. Whatever you make of that theologically, the corollary holds. Showing up costs something, and the cost is exactly what makes it legible as love.
It took a year
Theo isn't in Golden for a weekend. He stays a year. Long enough, as the book puts it, to create a current of his own. Not one gesture. Accumulation.
This is what I keep saying about review cycles and will keep saying: year one is theater until year two proves it wasn't. Anyone can run a good first cycle. The firms where reviews change behavior are the ones where an employee walks into the second-year meeting and the partner opens by referencing what they agreed on last time, and where the things promised actually happened.
None of that is specific to law firms. It's the same test in a marriage, a friendship, or a resolution. A single dramatic act of attention is a nice afternoon. Faithfulness is a pattern held long enough to become a current.
One caveat
None of this substitutes for paying people correctly, staffing matters adequately, or dealing with a partner whose conduct is the actual problem. A firm that runs humane reviews and underpays its staff hasn't built a culture. It's built a considerate exit ramp. Kindness sits on top of justice. It doesn't stand in for it, and people can tell the difference immediately.
Be Theo
The ask is smaller than a new HR program.
Pick one person whose portrait is on the wall: someone whose value you've described to a colleague and never to them. It can be someone at your firm. It doesn't have to be.
Tell them specifically. Not "great job lately," but the actual thing and the actual difference it made. Then ask how they're doing, and don't fill the silence.
You'll learn something. That's the part nobody expects.
While in Golden, Theo had no title, no budget, and no program. He had intention, attention and a year, and it was enough to change a town. You don't need a strategy for this.
Be Theo.